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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
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초록· 키워드
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In ceramics, the method of underglazed iron is the drawing of patterns by using oxidized iron, used broadly for a long time from the Goryeo (高麗) period up onto the modem ages in Korea. It was during the Goryeo period that the underglazed iron method was used more substantially in ceramic decoration, and it is known that the celadon kilns in the southern part of d1e peninsula around Sanih-myeon (山二面) in Haenam (海南), Jeonman (全南) region were the main production sites.
The original production is understood to have been related to the kilns in China, such as Xicun-yao (西村窯) of Guangzhou (廣州) Cizhou-yao (磁州窯) and Ding-yao (定窯) of Hebei (河北), and Yaozhou-yao (耀州窯) of Shaanxi (陜西). Within Korea, there are large differences in theories that point to the start of the underglazed iron method-some say 10th century, while others the 11th century.
However. recently, as more kilns are successfully excavated, it has become possible to deduce the development process based on the relationship of layers in archaeological excavation, and it has been confirmed that the production sites were much broader-ranging from the central region to the Gangwon (江原) region. It has also become known that not only celadon but also white porcelain were produced.
Porcelain with patterns in underglazed iron were found frequently in early celadon kilns, in forms such as vases, jars and other large special vessels such as the Korean percussion instrument 'Janggo(長鼓).' However, in the mid-celadon kilns, they were used more in small everyday vessels such as bowls and plates.
This shows that the use and the characteristics of porcelain with patterns in underglazed iron changed over the different periods Underglazed iron porcelain are excavated not only in kilns but also in remains of sites of ordinary living. There, they are mostly jars, vases with long neck and wide opening, and meipings, and they are found together with high quality celadon or white porcelain. It seems that under glazed iron porcelain were generally considered to be different from celadon or white porcelain.
According to the results of archeological excavations, the production period of underglazed iron porcelain of me Goryeo era coincides with me latter part of the production process of bowls with Korean style pi(壁)-shaped foot ring. In early celadon kilns of center-west regions of the peninsula, it coincides with me final production period of bowls with Korean style pi (壁)-shaped foot ling, and in the Gangjin (康津) region, underglazed iron porcelain appeared in dle next step after me production of the bowls. Therefore, it can be concluded mat underglazed iron porcelain began to be regularly produced between me end of 11th century and the beginning of 12th century, and reached its peak in me first half of 12th century. Between me end of 12th century and beginning of 13th century, the production of underglazed iron porcelain ended in me Haenam region, willie in the Gangjin region, they continued as passive patterns mat decorate only some porcelain such as plates.
In conclusion, studies have found that, in terms of production, underglazed iron porcelain have regional differences, and mat in terms of usage, qualitative characteristics It has also been found that they had a supplementary supply and demand relationship with me high quality celadon that were popular at me time.
The original production is understood to have been related to the kilns in China, such as Xicun-yao (西村窯) of Guangzhou (廣州) Cizhou-yao (磁州窯) and Ding-yao (定窯) of Hebei (河北), and Yaozhou-yao (耀州窯) of Shaanxi (陜西). Within Korea, there are large differences in theories that point to the start of the underglazed iron method-some say 10th century, while others the 11th century.
However. recently, as more kilns are successfully excavated, it has become possible to deduce the development process based on the relationship of layers in archaeological excavation, and it has been confirmed that the production sites were much broader-ranging from the central region to the Gangwon (江原) region. It has also become known that not only celadon but also white porcelain were produced.
Porcelain with patterns in underglazed iron were found frequently in early celadon kilns, in forms such as vases, jars and other large special vessels such as the Korean percussion instrument 'Janggo(長鼓).' However, in the mid-celadon kilns, they were used more in small everyday vessels such as bowls and plates.
This shows that the use and the characteristics of porcelain with patterns in underglazed iron changed over the different periods Underglazed iron porcelain are excavated not only in kilns but also in remains of sites of ordinary living. There, they are mostly jars, vases with long neck and wide opening, and meipings, and they are found together with high quality celadon or white porcelain. It seems that under glazed iron porcelain were generally considered to be different from celadon or white porcelain.
According to the results of archeological excavations, the production period of underglazed iron porcelain of me Goryeo era coincides with me latter part of the production process of bowls with Korean style pi(壁)-shaped foot ring. In early celadon kilns of center-west regions of the peninsula, it coincides with me final production period of bowls with Korean style pi (壁)-shaped foot ling, and in the Gangjin (康津) region, underglazed iron porcelain appeared in dle next step after me production of the bowls. Therefore, it can be concluded mat underglazed iron porcelain began to be regularly produced between me end of 11th century and the beginning of 12th century, and reached its peak in me first half of 12th century. Between me end of 12th century and beginning of 13th century, the production of underglazed iron porcelain ended in me Haenam region, willie in the Gangjin region, they continued as passive patterns mat decorate only some porcelain such as plates.
In conclusion, studies have found that, in terms of production, underglazed iron porcelain have regional differences, and mat in terms of usage, qualitative characteristics It has also been found that they had a supplementary supply and demand relationship with me high quality celadon that were popular at me time.
목차
머리말
고려시대 鐵畵瓷器에 대한 기존의 이해
유적 출토 상황으로 본 철화자기
窯址 출토로 본 철화자기
요지 출토 철화자기의 조형 특징
철화자기의 제작 유형과 시기
맺음말
참고문헌
ABSTRACT
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