지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Western Art History has been established as a separate discipline from the traditional art histories in Korean academia since it was introduced in the early 1980s. During the past two years of 2009 and 2010, 118 scholarly papers were published in this field including 11 books, which were very productive results comparing to the number of scholars. Almost the half of the research papers and books concentrated on the study of contemporary art, in which art criticism, theory, exhibitions, institutions, patronage, and some other themes were explored. While the number of scholars majoring in the history of contemporary art has constantly increased, the field of early modern art were maintained by several scholars.
Three international symposiums, held under the title of “Nationalism in Art History”, “Discussions between Art History and Visual Culture”, and “Art on the Road”, turned out to be the productive events in which scholars from abroad and domestic could actively exchange their opinions on some of the most current issues in Art History. The interest in the contacts among different regions, or adjacent cultural genres, and its influence on art were persisted in all areas. Discussions on modernity, public art discourses, art market, and technology in art were also proceeded during these two years. Many scholars tried to explore current issues from new perspectives, or with new methodologies adopted from New Art History and Post-Sturucturalist theories. It was found, however, that the objects of study in many papers were still remained in artworks, or artists.
It has been suggested that art historians should examine Visual Culture Studies in order to find the ways to overcome the limits and exclusiveness of Western Art History. In recent years, Visual Culture Studies has been gradually accepted and integrated into the Art History. Many of scholars in this field have been royal consumers of Western Art History for a long time. Now it is the time to think about what we have to do for the future of the discipline in Korea. We should find an effective way of intervening into Western Art History here in Korea in order not to be remained as an ‘other’ to the discipline.
Three international symposiums, held under the title of “Nationalism in Art History”, “Discussions between Art History and Visual Culture”, and “Art on the Road”, turned out to be the productive events in which scholars from abroad and domestic could actively exchange their opinions on some of the most current issues in Art History. The interest in the contacts among different regions, or adjacent cultural genres, and its influence on art were persisted in all areas. Discussions on modernity, public art discourses, art market, and technology in art were also proceeded during these two years. Many scholars tried to explore current issues from new perspectives, or with new methodologies adopted from New Art History and Post-Sturucturalist theories. It was found, however, that the objects of study in many papers were still remained in artworks, or artists.
It has been suggested that art historians should examine Visual Culture Studies in order to find the ways to overcome the limits and exclusiveness of Western Art History. In recent years, Visual Culture Studies has been gradually accepted and integrated into the Art History. Many of scholars in this field have been royal consumers of Western Art History for a long time. Now it is the time to think about what we have to do for the future of the discipline in Korea. We should find an effective way of intervening into Western Art History here in Korea in order not to be remained as an ‘other’ to the discipline.
목차
Ⅰ. 여는 말
Ⅱ. 총설
Ⅲ. 근세미술사
Ⅳ. 근대미술사
Ⅴ. 현대미술사
Ⅵ. 시각문화연구
Ⅶ. 맺는 말
참고문헌
Abstract
참고문헌 (100)
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UCI(KEPA) : I410-ECN-0101-2013-911-001041551