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자료유형
학술저널
저자정보
노병호 (한국외국어대학교)
저널정보
동북아역사재단 동북아역사논총 동북아역사논총 41호
발행연도
2013.9
수록면
403 - 445 (43page)

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초록· 키워드

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Minoda Muneki is a representative person who appeared negatively in cases involving academic freedom and intellectuals in Japan in the 1930s. At first, Minoda had become notorious in the Takigawa case in 1933. And the “Emperor Organ Theory” (J. Tenn?kikansetsu ) in 1935 and Tsuda S?kichi in 1939 made his name even more so. Minoda had checked the thought of liberal intellectuals and academic freedom from the shadows in these cases and sometimes in public.
It should also be noted that Minoda’s attacks were concentrated in the 1930s and focused on intellectuals and their scholarship. What resentments and thought structures were behind his attacks and acts?
First, it may be surmised that Minoda participated in the right-wing group Genri Nihonsha (Fundamental Japan Association) or believed in “The Art of Classical Japanese Poetry” (J. Shikishimanomichi ), and “The Way of the Gods” (J. Kannagaranomichi ). That is to say, his religion was “Japan.” And his passionate character should also be noted.
On the other hand, his private history should not be disregarded. That is, Minoda had bitterly criticized Morito Tatsuo in the Morito case, and he himself had become a target of criticism. Minoda’s complex toward the imperial universities may also be raised. This paper does not concentrate on “private” elucidation of Minoda’s resentment. But his private emotions toward the imperial universities, in that the persistence of this thought came from private human relations, cannot be avoided.
Finally, the mood in the 1930s should be mentioned. The 1930s may be treated as an emergency that required the unification of thought by “Japan” as one nation or Japanese “thought” for Japanese. Therefore, democracy, rationalism, individualism, and Marxism had to be eradicated “practically,” and Minoda assumed the main role in this.

목차

Ⅰ. 머리말
Ⅱ. 부정과 배제의 원형
Ⅲ. 신이 된 시인
Ⅳ. ‘원리일본사’와 ‘일본’
Ⅴ. 불령사상에 대한 성전과 광기
Ⅵ. 맺음말
참고문헌
[ABSTRACT]

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