메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
전준혁 (서경대학교)
저널정보
한국영상제작기술학회 영상기술연구 영상기술연구 제34호
발행연도
2020.12
수록면
167 - 188 (22page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
Recently, the tendency to explore the philosophical and social meaning of walking has been expanding in the discourse of humanities. Walking is a metaphysical act that extends the idea and creates the form and meaning of human society beyond the practical meaning of simply moving the body toward the destination. Modern artists such as Francis Alÿs and Situationist International are examples of thinking about the meaning of walking in the areas of philosophy and art.
This research aims to find and analyze specific examples of how the film art, which first captures the temporal image of walking behavior, deals with the philosophical meaning of walking. ‘Slow cinema’, which creates “delayed rhythms” and explores the space-time margins, is a reaction against the accelerating principle of modern society that separates humans from landscapes and alienates them from life. The walking scene expressed in ‘slow cinema’ is not a way of telling a story, but a self-purpose as a story itself.
Gus Van Sant’s 〈Elephant〉, Jia Zhangke’s 〈Xiao Wu〉 and Béla Tarr’s 〈Sátántangó〉 express the duration of time with walking through the walking of characters and the movement of cameras accompanying them as an important cinematic experience. The audience begins actively thinking about life on the screen through its durational experience. The strategy of these films, which elevate the audience from mere onlookers to active participants, shares a series of movement and tendency that have seen walking as not merely a purpose-oriented act, but as an act that elicits thought, philosophy and social participation.
Scenes paying attention to the ‘walking’ that has not been fully addressed in film art and theory, and the work of disco vering and reconstructing its points, will help reconsider the current position of films produced in modern society, which is engaged in an infinite speed war, and provide a perspective on how film art captures one of human behaviors.

목차

Ⅰ. 서론
Ⅱ. 보행의 미학, 저항과 일탈로서의 걷기
Ⅲ. 영화 속 걷 기 : 느린 리듬, 여분의 시간, 지속의 잉여
Ⅳ. 영화 속 걷는 장면의 의미와 효과 : 벨라 타르의 〈사탄탱고〉(Sátántangó, 1994)
Ⅴ. 결론
참고 문헌
Abstract

참고문헌 (0)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

이 논문과 함께 이용한 논문

최근 본 자료

전체보기

댓글(0)

0