지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 한국역사연구회 역사와현실 역사와 현실 제126호
- 발행연도
- 2022.12
- 수록면
- 289 - 325 (37page)
- DOI
- 10.35865/YWH.2022.12.126.289
이용수
초록· 키워드
오류제보하기
The cultural image of a region should be discussed through several categories: the time, the area, and people who enjoyed it. After the capital of Joseon was established at Han’yang, Songdo(the Gaeseong city today) came to harbor a variety of images and identities, as the status of the region and the nature of the residents continued to shift and evolve over time.
Songdo in the 15<SUP>th</SUP> century was the late capital of the vanished Goryeo dynasty, and was only remembered as such. Then in the 16th century it was newly perceived, sometimes as a region symbolizing loyalty and historical lessons, while sometimes as a place for elegant life and entertainment. Throughout the entirety of the Joseon period, Songdo continued to be perceived as a place that boasted beautiful nature and great historical vestiges, but it was also deemed as a place that no longer bore any social relevance and left only with remnants of past glory. Also, aside from such dual identity, the region was famous for its commercial activities as well.
Earlier in the Joseon society, there was the concept of “Songdo Samjeol,” which literally meant the “Three Excellent Things of Songdo” and referred to Seo Gyeong-deok, Hwang Jin-ih and the Pag’yeon Fall. The concept was heralded as a symbol to elegant life. Then coming into the 17<SUP>th</SUP> century, an entirely different kind of “Songdo Samjeol” surfaced within the literary community, counting “Cha Cheon-ro’s poems, Choi Rib’s writings, and Han Ho’s calligraphy” as the new three sights to see. This new version of the concept was a boast of the extraordinary talents of the Songdo region’s literary figures, and was widely acknowledged amongst literary writers in the field of diplomacy and public works.
This kind of notion, tied with the image of declining Songdo, resonated with people in handicapped conditions, who managed to serve the country with their talents but ended up feeling frustrated for never being properly rewarded. Such notion, based on the 17th century literary writers faith in literature and pride in their own works, eventually provided the Songdo region with another image: the home of superior talents, duly recognized and honored with eternal reputation.
Songdo in the 15<SUP>th</SUP> century was the late capital of the vanished Goryeo dynasty, and was only remembered as such. Then in the 16th century it was newly perceived, sometimes as a region symbolizing loyalty and historical lessons, while sometimes as a place for elegant life and entertainment. Throughout the entirety of the Joseon period, Songdo continued to be perceived as a place that boasted beautiful nature and great historical vestiges, but it was also deemed as a place that no longer bore any social relevance and left only with remnants of past glory. Also, aside from such dual identity, the region was famous for its commercial activities as well.
Earlier in the Joseon society, there was the concept of “Songdo Samjeol,” which literally meant the “Three Excellent Things of Songdo” and referred to Seo Gyeong-deok, Hwang Jin-ih and the Pag’yeon Fall. The concept was heralded as a symbol to elegant life. Then coming into the 17<SUP>th</SUP> century, an entirely different kind of “Songdo Samjeol” surfaced within the literary community, counting “Cha Cheon-ro’s poems, Choi Rib’s writings, and Han Ho’s calligraphy” as the new three sights to see. This new version of the concept was a boast of the extraordinary talents of the Songdo region’s literary figures, and was widely acknowledged amongst literary writers in the field of diplomacy and public works.
This kind of notion, tied with the image of declining Songdo, resonated with people in handicapped conditions, who managed to serve the country with their talents but ended up feeling frustrated for never being properly rewarded. Such notion, based on the 17th century literary writers faith in literature and pride in their own works, eventually provided the Songdo region with another image: the home of superior talents, duly recognized and honored with eternal reputation.
목차
머리말
1. ‘송도삼절’의 유래와 의미
2. 17세기 관료문인의 ‘송도삼절’에 대한 인식
맺음말
참고문헌
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
조선 전기 사대부 문인의 松都에 대한 기억과 그 변주
동양한문학연구
2015 .06
-
남효온의 송도유람과 「松京錄」의 울울한 여정
한국한문학연구
2015 .06
-
『高麗時報』수록 한시에 나타난 松都人의 정체성 연구
한국문학논총
2022 .12
-
송도의 기억과 문학적 상상의 지향 - 『崧陽耆舊詩集』에 대한 小考
동양한문학연구
2015 .02
-
17세기 송도 기록에 나타난 개성 이미지의 형성 -고려의 수도에서 조선의 경기로-
한국한문학연구
2020 .01
-
새 자료 고소설 『최호용전』의 성격과 특성
어문론집
2021 .09
-
하당荷堂 권두인權斗寅의 영춘永春 공간 인식과 문예 활동 — 영춘 현감 시기를 중심으로
국학연구
2023 .07
-
20세기에서 21세기로 전환 시대에 살다
한국여성신학
2019 .06
-
A Review of Writings in French on Christology in the 20th Century
Catholic Theology and Thought
2017 .01
-
21세기 개혁신학의 과제
신학지남
2018 .06
-
고려 14세기 상감청자의 신경향과 그 성리학적 의미
한국학연구
2015 .12
-
Joseon Dynasty’s Perceptions of the Qing Dynasty in the 1860s and 1870s : A Focus on the Opium War
한국민족문화
2016 .11
-
시리아-동방 교회가 최초로 중국에 전파되는 과정에 관한 연구
Catholic Theology and Thought
2021 .12
-
최부 《표해록》 언해본의 이본 고찰
국어국문학
2017 .03
-
동해상에서의 무주지 선점 법리를 이용한 섬 ‘발견’과 ‘명칭 변경’
영토해양연구
2015 .12
-
출토자료를 통해 본 ‘天’의 本義와 변천 연구
중국어문논총
2020 .01
-
신흥 개발 도심의 불교문화콘텐츠 구성 방향 - 인천광역시 연수구를 예로 하여
불교문예연구
2019 .01
-
시나리오 脚色 과정을 통해 본 최인호의 映畵 美學 ?崔仁浩의 <걷지 말고 뛰어라>(1976)를 중심으로
어문연구(語文硏究)
2021 .01
-
박정희 시대의 종말과 최인호의 행방
어문연구(語文硏究)
2022 .03
-
杜甫의 書藝觀과 後代의 評價
중국어문학
2017 .08
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0