지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The major themes discussed in this paper is the technical significance of Koguryo murals and Koguryo murals in the history of Korean paintings. The emphasis was given on revealing the fact that Koguro murals were produced by a creative technique different from that of other countries.
As of a technique of wall paintings, in the history of Europe art, a dry fresco technique developed into an oil painting technique using oil solvent with high viscosity. Secco-Fresco coexists with an oil painting as a watercolor painting technique in the west. In the history of Asian art, dry fresco technique developed into color paintings of Northern School. Buon-Fresco evolved into an ink painting of Southern School.
However, the distinguished characteristics of Koguryo murals has its secret in that it achieves a plastered surface without using adhesives on wall painting on the natural wall and wall painting with a dry technique. This type of technique in Koguryo fresco sometimes evolved as using completely different materials and techniques from those of Chinese wall paintings according to her regional feature. It also became the basis of Korean art in later periods, and we can see that its basic frame still continues to the present time.
As of a technique of wall paintings, in the history of Europe art, a dry fresco technique developed into an oil painting technique using oil solvent with high viscosity. Secco-Fresco coexists with an oil painting as a watercolor painting technique in the west. In the history of Asian art, dry fresco technique developed into color paintings of Northern School. Buon-Fresco evolved into an ink painting of Southern School.
However, the distinguished characteristics of Koguryo murals has its secret in that it achieves a plastered surface without using adhesives on wall painting on the natural wall and wall painting with a dry technique. This type of technique in Koguryo fresco sometimes evolved as using completely different materials and techniques from those of Chinese wall paintings according to her regional feature. It also became the basis of Korean art in later periods, and we can see that its basic frame still continues to the present time.
목차
Ⅰ. 들어가는 말
Ⅱ. 고구려 벽화의 기법적 의미
Ⅲ. 한국회화사 속의 고구려 벽화
Ⅳ. 맺는 말
〈Abstract〉
「韓國 美術史에서 차지한 高句麗 壁畵의 位置」討論文
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
高句麗 古墳壁畵와 古代 유럽壁畵의 比較 硏究 : 壁畵 製作技術을 中心으로
고구려발해연구
2003 .12
-
고구려 벽화를 통해서 본 고구려의 정체성 연구
고구려발해연구
2007 .12
-
高句麗 壁畵의 材料擴張과 現代的 適用
고구려발해연구
2003 .12
-
Wall Paintings of Koguryo Tombs
Korea Journal
1966 .04
-
Korean Painting
Korea Journal
1979 .04
-
5세기 고구려와 북위의 고분미술의 畫稿의 전래와 적용
고구려발해연구
2019 .07
-
奉使圖의 建築에 관한 小考
아시아문화연구
2000 .02
-
고구려 고분벽화에 대한 도상학적 해석과 동아시아적 성찰 : 門田誠一, 2011, 『高句麗壁畵古墳と東アジア』, 思文閣出版)
한국사연구
2011 .09
-
壁畵天文圖를 통해서 본 高句麗의 正體性
고구려발해연구
2004 .12
-
A Study of Traditional Korean Painting
Korea Journal
1979 .01
-
시공을 뛰어 넘은 고구려 고분벽화 : 『고구려 고분벽화 유라시아문화를 품다』(박아림, 2015), 『고구려 생활문화사 연구』(전호태, 2016)
고구려발해연구
2017 .11
-
A Short History of Korean Painting
Korea Journal
1972 .10
-
壁畵를 通해 본 高句麗 집문화(住居文化)
고구려발해연구
2004 .06
-
5世紀 平壤圈 古墳壁畵로 본 高句麗 文化의 正體性
고구려발해연구
2004 .12
-
중국 明代 寺觀壁畵 製作技術에 관한 연구
강좌 미술사
2013 .01
-
북한 소재 고구려 고분벽화의 보존과 관리방안 연구
한국고대사연구
2004 .09
-
Development and Characteristics of Modern Korean Painting
Korea Journal
1986 .01
-
高句麗 古墳壁畵와 同時代 中國 北方民族 古墳美術과의 比較硏究
고구려발해연구
2007 .09
-
무위사 극락보전 벽화의 원형과 변모
불교학연구
2006 .01
-
朝鮮末期 王室發願 佛事와 守國寺 佛畵
강좌 미술사
2008 .01
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-911-019487046