지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 한국사연구회 한국사연구 韓國史硏究 제183집
- 발행연도
- 2018.12
- 수록면
- 37 - 67 (31page)
- DOI
- 10.31791/JKH.2018.12.183.37
이용수
DBpia Top 5%동일한 주제분류 기준으로최근 2년간 이용수 순으로 정렬했을 때
해당 논문이 위치하는 상위 비율을 의미합니다.
초록· 키워드
오류제보하기
Examined in this article are how exhibitions at State-established museums (National Museums) have turned from featuring displays treating visitors and viewers as “opponents” (people who are to be ‘shown’ the exhibition) to holding displays acknowledging them as “active participants” (people who would join the process from the beginning, or at least before the completion of the display layout). There are several examples of them which we can find from certain museums, so some of them will be discussed here. Overall, this article will be an examination of museum exhibitions’ very evolution, from an ‘event to see’ to an ‘event to join.’
Initially, National museums’ primary function was to inform the visitors of the history and culture of Korea through selected-andthen-exhibited artifacts. Museums at big local cities have been developing their own themes reflecting cultural characteristics of their own. Then the visitors started to display a will and interest to join the development process (for Permanent exhibitions). The National Museum of Korea (at Yongsan) was demanded to switch to a new exhibition format –for its permanent exhibition- in which artifacts would be positioned and displayed in a chronological order. NMK accepted the suggestion and rearranged the display to feature artifacts from the Old Stone age(Paleolithic Era) through the Joseon period in timely order, and also opened the Gojoseon display for the very first time.
This kind of ‘participatory exhibitions’ are spreading throughout local state-established museums. National Museum of Naju is located at the ancient burial mound site, and opened as a Mahan-themed museum at the request of the local community. Walls of the storage chambers are made of glass so that visitors could see the inside, and an excavation experience is inviting visitors to have a taste of what excavations generally entail and how it feels to actually be on the field. Proposal for a National Museum of Chungju (tentative title) is aiming for a local museum that would deal with the ‘Jung’weon culture.’ Sometimes there are certain differences of opinions between the local community and professional historians. The former’s response to the display arrangement (conceived by the latter) of the National Museum of Chuncheon could be cited as such example.
Museums are no longer conceiving displays with curators as the only brain. Historians or specialists outside the museum, or even general viewers, are actively coming up with their own ideas and vision that could potentially affect the display structure or contents. This could indeed be defined as a ‘participatory exhibition,’ and with this kind of format the visitors now have a way to reflect their views in the process and literally join the exhibition themselves.
Initially, National museums’ primary function was to inform the visitors of the history and culture of Korea through selected-andthen-exhibited artifacts. Museums at big local cities have been developing their own themes reflecting cultural characteristics of their own. Then the visitors started to display a will and interest to join the development process (for Permanent exhibitions). The National Museum of Korea (at Yongsan) was demanded to switch to a new exhibition format –for its permanent exhibition- in which artifacts would be positioned and displayed in a chronological order. NMK accepted the suggestion and rearranged the display to feature artifacts from the Old Stone age(Paleolithic Era) through the Joseon period in timely order, and also opened the Gojoseon display for the very first time.
This kind of ‘participatory exhibitions’ are spreading throughout local state-established museums. National Museum of Naju is located at the ancient burial mound site, and opened as a Mahan-themed museum at the request of the local community. Walls of the storage chambers are made of glass so that visitors could see the inside, and an excavation experience is inviting visitors to have a taste of what excavations generally entail and how it feels to actually be on the field. Proposal for a National Museum of Chungju (tentative title) is aiming for a local museum that would deal with the ‘Jung’weon culture.’ Sometimes there are certain differences of opinions between the local community and professional historians. The former’s response to the display arrangement (conceived by the latter) of the National Museum of Chuncheon could be cited as such example.
Museums are no longer conceiving displays with curators as the only brain. Historians or specialists outside the museum, or even general viewers, are actively coming up with their own ideas and vision that could potentially affect the display structure or contents. This could indeed be defined as a ‘participatory exhibition,’ and with this kind of format the visitors now have a way to reflect their views in the process and literally join the exhibition themselves.
목차
Ⅰ. 머리말
Ⅱ. 국립박물관 전시와 시민 참여
Ⅲ. 참여형 전시와 지역사회
Ⅳ. 맺음말
참고문헌
ABSTRACT
참고문헌 (42)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
박물관 ‘전시’의 역사교육적 함의와 활용 방안
역사교육
2015 .06
-
SOCIAL RESPONSIBILITY AND EXHIBITION DESIGN OF THE HISTORY MUSEUM
Public History & Museum
2022 .12
-
시간적 확장을 실천하는 추모 박물관 －과거, 현재 그리고 미래의 공존으로－
인문과학
2023 .05
-
관람객의 주체적 해석과 경험을 위한 아카이브 전시연출 고찰 -국립현대미술관《미술이 문학을 만났을 때》전시를 중심으로-
박물관학보
2021 .12
-
국립민속박물관 어린이박물관 전시의 변화 양상 고찰
어린이와 박물관 연구
2019 .11
-
식민화, 탈식민화 공간으로서의 박물관과 ‘가르칠 내용’
역사교육
2024 .09
-
에듀-큐레이션, 어린이박물관 전시의 새로운 가능성
어린이와 박물관 연구
2018 .12
-
DIGITAL TRENDS IN THE ERA OF THE DIGITAL MUSEUM
Public History & Museum
2019 .12
-
국공립박물관 선사실 전시 스토리텔링과 디지털 콘텐츠 영상
역사와 세계
2023 .06
-
박물관의 감정적 전시, 방문객의 감정이입, 그리고 역사교육과 유산교육
역사교육
2022 .03
-
몰입이론을 적용한 어린이박물관 전시연출 특성과 개선방안
어린이와 박물관 연구
2021 .11
-
박물관 비대면 교육프로그램 개발·운영 사례 연구 : 철박물관 2020년 철문화 체험교실을 중심으로
어린이와 박물관 연구
2021 .11
-
어린이박물관 전시디자인 개발 사례 연구 : 국립민속어린이박물관 상설전시 ‘신화 속 동물 이야기’ 사례중심으로
어린이와 박물관 연구
2018 .06
-
공동기획전을 통한 대학박물관의 지평 확장 방안 연구 -경희대학교 혜정박물관 K-museums 전시 사례를 중심으로-
박물관학보
2017 .01
-
영국 소재 박물관의 한국실 현황으로 본 과제에 대한 연구-대영박물관과 빅토리아알버트박물관의 사례-
박물관학보
2018 .01
-
국립민속박물관 어린이박물관 체험전시유형에 따른 관람객선호도 연구
어린이와 박물관 연구
2017 .06
-
The Museum Exhibited: Shaping China’s 21st Century National Museum
Journal of Northeast Asian History
2015 .12
-
국립교육박물관 건립에 대한 기초 연구 -한국교원대학교 교육박물관 국립 승격을 중심으로-
박물관학보
2015 .01
-
식민지 박물관의 역사 만들기 : 조선총독부박물관 상설전시의 변천
역사와현실
2018 .12
-
러시아 박물관의 발해사 전시 변화와 전시 내러티브의 특징 - 아르세니예프 V.K. 국립극동역사보호지구 통합박물관을 중심으로 -
헤리티지:역사와 과학
2024 .03
이 논문의 저자 정보
이 논문과 함께 이용한 논문
박물관 ‘전시’의 역사교육적 함의와 활용 방안
趙慧珍
역사교육
2015
.06
식민지 박물관의 역사 만들기 : 조선총독부박물관 상설전시의 변천
오영찬
역사와현실
2018
.12
증강현실 기반 상설 전시공간에서 사용자 몰입 효과 요소에 관한 연구
조경훈
,
공순구
한국실내디자인학회 학술대회논문집
2016
.10
전시 관람 문화 변화와 전시 컨텐츠 디자인의 새로운 가능성 연구
김태윤
,
김상규
한국디자인학회 학술발표대회 논문집
2019
.05
박물관의 감정적 전시, 방문객의 감정이입, 그리고 역사교육과 유산교육
姜鮮珠
역사교육
2022
.03
최근 본 자료
댓글(0)
0